An upclose look at the details within Shag's dipytchs and triptychs from Autumn's Come Undone, Josh Agle's surreal and dark exhibition, where geisha girls play guitars in oversized bird cages, and vintage hot air balloons float over dream-like dimensional plains, reminiscent of the late 19th century Industrial Age ala Salvador Dali.

From Black and Dreamless (panel one of triptych 1-2-3)

From Black Balloon (panel two of triptych 1-2-3)

From Black Balloon (panel two of triptych 1-2-3)

From Fitful Troubled (panel three of triptych 1-2-3)

From We Lay Waste (panel six of triptych 6-7-8)

From Prince Biomass (panel four from diptych 4-5)

From Smudge Pot, (panel five from diptych 4-5)

From We Lay Waste (panel six of triptych 6-7-8)

From Send in the Bears, (panel seven from triptych 6-7-8)

From Marooned (panel eleven of diptych 11-12)

From Great Babylon (panel eleven of diptych 13-14)

From Twelve Stops (panel fifteen of diptych 15-16)

From I Worry Me (panel sixteen of diptych 15-16)

From I Worry Me (panel sixteen of diptych 15-16)